BACH BWV 1027 PDF

Check out Bach, J.S.: Cello Sonatas BWV by Mischa Maisky & Martha Argerich on Amazon Music. Stream ad-free or purchase CD’s and MP3s now. Johann Sebastian Bach. Sonata for viola da gamba & keyboard No. 1 in G major, BWV Composition Information ↓; Description ↓; Parts/Movements.

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Sonata for viola da gamba &… | Details | AllMusic

You have exceeded bxch maximum number of MP3 items in your MP3 cart. Please click here to manage your MP3 cart content. Cello Sonatas BWV MP3 Music, February 10, “Please retry”. Add to MP3 Cart. Add gift card or promotion code. Add to Wish List. Give Album or Song as Gift. Share Facebook Twitter Pinterest.

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Le Carnaval des A The Art of Fugue Product details Original Release Bwch January 1, Release Date: February 10, Label: Music file metadata contains unique purchase identifier. Share your thoughts with other customers. Write a customer review. Read reviews that mention martha argerich bach piano cello recording baroque performance sonatas instruments disc perhaps playing balance keyboard romantic.

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Audio CD Verified Purchase. The first two sonatas in a major key and in the traditional slow-fast-slow-fast movement tempo pattern while the third one, in minor, changes pace to venture into more dramatic territory and is organized in a fast-slow-fast movement sequence.

Sonatas for viola da gamba and harpsichord (Bach) – Wikipedia

This mid s DG release is a short bacb and features two outstanding instrumentalists, Mischa Maisky and Martha Argerich, both at the peak of their powers. Maisky and Argerich later collaborated in a remarkable set of Ludwig van Beethoven cello sonatas also on DGbqv I strongly recommend.

This Bach disc is not at that level but is nonetheless pleasing, musically played and well-executed. Maisky and Bbach take a very traditional approach to Bach: Maisky is an unconstrained musician if there ever was one but here he displays more metric rigidity than normal. One of the bacj reviewers noted that the piano was overmiked and too prominent.

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In general, the recording quality is very good, with a pleasing and tonally-accurate presentation of the instruments. I am a little put off by versions of these viola da gamba sonatas when the keyboard part is played on a harpsichord, especially a loud, banging harpsichord. This version uses a piano instead of a harpsichord. Argerich’s piano playing is beautiful. She is a Bach genius. For me, in this recording the cello is icing on the piano cake.

The two of them play beautifully together, somehow giving each other space to be expressive while keeping a reasonably brisk but still reverent tempo. This really is an extraordinary recording.

I would give every track a 4 or 5 on a scale of 5. Very accessible, too, for those like me just venturing beyond the Bach standards. Hewitt’s is more clean and clear. If I had to choose one, it would be worth the hassle of tracking down the Hewitt disc as opposed to the immediate gratification of downloading the Argerich recording.

But if I never heard the Hewitt version, I would be happy forever with the Argerich recording. These three sonatas – composed originally for the viola da gamba and harpsichord – are very musically-appealing compositions.

And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist – perhaps to showcase some of Bach’s keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord Savall, Peri, Vwv, Wispelwey or modern cello with harpsichord Ma, Tortelier.

But if your taste favors all modern instuments cello, pianothen this circa’s CD by the legendary Martha Argerich bzch Misha Maisky is the ticket. What is immediately striking about the recording is Maisky’s lush and sensual cello tone bsch graceful progression through the music. Perhaps to some, it is not “Baroque enough” a sound with more Romantic flavor. Regardless, it is beautiful and 0127 likeable playing. Maisky’s partnership here with Miss Argerich is seamless bacj well judged – both share enthusiastically the contrapuntal voices with 127 weight and balance.

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Argerich’s tempos and style are in-synch with both Bach’s intent and Maisky’s poised playing, so you won’t find her sometimes “overdriven” tempos or bravura here as bxch finds the right center of gravity for Bach’s music.

Equally attractive is the bright, full and perfectly balanced sound from DG. A treat for Argerich fans. A recording by Bach-famed pianist Angela Hewitt with cellist Danielle Muller-Schott is also worth hearing in really excellent sound on Orfeo label. Excellent artistry and sound quality as expected from the Deutsche Grammophon label. This is a pleasant, heartfelt and sincere composition.

Excellent background music for studying or dining.

Both instruments are recorded with equal sound and spirit of good-fellowship. Have a great day friends. I was so glad to find this wbv on Amazon. Mine had worn over the years and this Bach compilation is one of my favourites.

One person found this helpful. See all 15 reviews.

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Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027

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