The 20 Brouwer Simple Studies (Etudes Simples, Fr.; Estudios Sencillos, Sp.), are good examples of guitar studies. From the first to the last. since many yeares I’m coming again and again back to Estudios Sencillos by Leo Brouwer. Recently I heard a recording by Ricardo Cobo – he. I’d recommend progressing to this after completing Brouwer’s Simple Studies. It consists of 10 homages to famous composers and are played in their typical.

Author: Tojazragore Nikozahn
Country: Bulgaria
Language: English (Spanish)
Genre: Sex
Published (Last): 17 December 2007
Pages: 258
PDF File Size: 10.89 Mb
ePub File Size: 1.46 Mb
ISBN: 344-2-70907-316-3
Downloads: 17452
Price: Free* [*Free Regsitration Required]
Uploader: Malami

I wonder if the composer or publisher in naming pieces this way might have had other motives This may sound counter-intuitive, but bear with me He also recquires that every dynamic indication should be followed carefully.

Leo Brouwer | Etudes Simples (Estudios Sencillos) Volume 4

Thank you for posting a question! But the harder ones for me are V and IX because of the rhythm.

Similarly, once one starts to play the piece with the right-hand arpeggiation, it is a good idea to make “mini-exercises” from any changes that are difficult, in order to fluently change between bars measures. Every pp, p, f, ff and so on shall sound clear to the listener. Any other recording recommendations? Last edited by rojarosguitar on Mon Nov 29, Once this piece has been learnt, it can be used to focus upon R. By using our site, you acknowledge that you have read and understand our Cookie PolicyPrivacy Policyand our Terms of Service.

It was also easy to me to make the bass “sing” and play the accompaniment softer. Reviews 0 Questions 0 write a review ask a question Updating Results Verified Reviewer What is a Verified Reviewer A Verified Reviewer is a shopper who has confirmed an email address, or connected a social network with Yotpo, providing an added level of transparency and trust.

  DN A7100 PDF

Leo Brouwer | Etudes Simples (Estudios Sencillos) Volume 1

You may find one of the “easy” ones very difficult for you or one of my “difficult” ones easy. Share your review so everyone else can enjoy it too.

VII made me learn how to count very, very carefully! We value your input.

Classical Guitar

Home Questions Tags Users Unanswered. Just for the sake of comparison, I would say my current playing, after starting from zero 2 years and 8 months ago, is at the upper estuios of level 3 according to Mr Delcamp’s scheme, and at about level 3, too, according to ABRSM. Music is a big continent with different landscapes and corners.

This then allowed me to focus upon the actual purpose of the piece: In particular, it is useful to “maximise” practice time, by paying particular attention to those chord changes which one finds most difficult, and repeating these correctly in order to learn them fluently.

Verified Reviewer What is a Verified Reviewer.

How are they clasified in terms of difficulties I’m aware that thay are of different degrees of difficulty. Eztudios my asked me to make the accompaniment interesting while still keeping a singing bass. These are the sixth and seventh chords in the diagram above. I recently started playing this study again, having not played it for many years.

You are connected as Connect with: That’s only my very personal experience, and your own mileage may vary, of course. See what people are saying about Loading Tanenbaum’s recording is part of an excellent two CD set that also includes the Caracssi Op 60 studies and the 20 Sor studies selected selected by Segovia.


For example, they also brouwwer with: This is then real study and not just playing If thumb sound is still weak at this point, he may spend a lot of time just working on thumb sound, teaching ways to shape the nail, to attack the string and so on. Merely playing through such pieces will certainly improve technique, but extracting passages for further study, or devising brouwre exercises based upon short passages, tailored to ones own technical needs and interests, will prove more fruitful.

If one breaks the piece down into a series of chord shapes fingered by the left hand, and eshudios just practises the brouweg between these, it can make the process of learning the whole piece far quickerallowing one to then focus upon the true bfouwer of the study, right hand technique.

However, in order to learn the piece, to allow this kind of practice, it may be easier to first take this aspect of the piece away, to make it quicker to learn to play the whole piece fluently.