Gyorgy Ligeti: Passacaglia Ungherese by Ken Thomson, released 07 September Ligeti – Passacaglia Uploaded by .. Ligeti – Le Grand Macabre – Uploaded LIGETI – Analyse Continuum Sheet Music – £ – Gyorgy Ligeti – Passacaglia Ungherese (for harpsichord).

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Drinking Hanging Out In Love. This article focuses on the “Hungarianness” of the two pieces, a feature that is ostentatiously emphasized by their titles, analyzing which features can be regarded as Hungarian, how these are related to other, culturally more distant, references, and what role they are playing within the pieces. Home Journals Magyar Zene Vol.

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Passacaglia Ungherese (for harpsichord)

A passacaglia is a set of variations written upon a theme called the “ground” which is constantly repeated. Romantic Evening Sex All Themes.


As I point out, both pieces contain a number of “mistuned” Hungarian folk song imitations. View it in the Music Periodicals Database.

Moreover, they are alienated by the systematic transposition of some of their notes and phrases, while their characteristic melodic and rhythmic features, as well as their strophic structure are retained. But Ligeti’s melodies do libeti so much imitate specific folk songs as abstract melodic types.

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Gyorgy Ligeti: Passacaglia Ungherese | Ken Thomson

The variations on it take ligetk form of short, overlapping motives, including one with a liget folk-inspired “Hungarian snap” an accented first short note on the beat followed by a longer note, it is common also in Scots folk music. Tags pastiche composers gyorgy ligeti national identity hungarian music harpsichord music. Please enable JavaScript in your browser to use the site fully.

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These motives pile up on each other resulting in wild harmonic clashes. In both works, elements of Hungarian folk music are mixed with distant musical styles and idioms the chaconne and passacaglia llgeti, elements of jazz and rock, Balkan and Caribbean rhythms. The theme in this case is a slowly walking theme of rising and falling contours, which is rather monotonous in itself.

At times it seems as though the harpsichord’s resonant, clangorous characteristic is being used to create piles of natural overtones of the sounding strings while notes which are alien passacablia the hanging cloud of notes are sounded, creating a sour effect.

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